Fictional example
A ten-second check-in
7:40 a.m. Tense. Waiting for the plumber.
- What this captures
- A feeling, a time, and something happening nearby. There is enough here to recognise the moment.
- What this cannot tell us
- Whether the wait explains the tension, how strong it was, or how the rest of the morning went.
Fictional example
Mixed feelings, side by side
Happy for her: My sister got the apartment. We ate chips on the empty floor.
Sad for me: Her chair at our kitchen table will be empty on Sunday. I didn’t say that during the toast.
- What this captures
- Two feelings about different parts of the same move, including the one left out of the conversation.
- What this cannot tell us
- Which feeling matters more, what the sister noticed, or what living apart will be like.
Fictional example
An unremarkable day
Tuesday. Mostly content, I suppose. Bought washing-up liquid, answered the overdue email, had the same lunch as yesterday. The neighbour’s dog was asleep in its usual patch of sun. Nothing I need to untangle tonight.
- What this captures
- An ordinary texture: errands, a familiar sight, and a tentative label. The entry stops without finding a problem.
- What this cannot tell us
- Whether every hour felt this way. “Mostly” and “I suppose” leave some uncertainty in the account.
Fictional example
A corrected first label
After the rehearsalAngry. Embarrassed fits better.
I missed the entrance and everyone had to start again. I wrote “angry” because I wanted the room to stop looking at me. I’m still annoyed about the joke afterwards. That part hasn’t changed.
- What this captures
- A changed label without erasing the first attempt. Embarrassment fits the missed entrance; annoyance remains attached to the joke.
- What this cannot tell us
- What the others intended or whether this is the final wording. A correction is another reading of the moment.
Fictional example
A sparse note
flat
after dinner
no words for it
- What this captures
- The word available at the time and a rough place in the day. The lack of detail is visible.
- What this cannot tell us
- Whether “flat” means bored, tired, sad, or something else here. There is no recorded explanation to recover.
Fictional example
A spoken note, kept as text
Okay, um, outside the station now. I thought I’d be excited to get here. I am, a bit. Mostly overwhelmed. There are about six signs and I can’t work out which exit. Keeping this short because I need to look at the map.
Text checked afterwards: changed “underwhelmed” to “overwhelmed.”
- What this captures
- A spoken thought represented in text, with a pause and a checked word left visible. This is an invented speech-to-text example, not a recording.
- What this cannot tell us
- The speaker’s tone, the original sound, or whether the rest of the text is exact. It says nothing about any app’s transcription or storage arrangements.
Fictional example
An entry revisited
Wednesday eveningHurt. The group made the weekend plan without me. Saw the photo of their tickets.
Friday, added laterThe invitation was in the old chat, which I’d muted. So “without me” isn’t what happened. I still felt left out on Wednesday. I haven’t decided whether to go.
- What this captures
- The earlier feeling alongside information found later. The addition corrects the account of the invitation while preserving what Wednesday felt like.
- What this cannot tell us
- What anyone else assumed about the muted chat, or how the weekend will feel. New information has not produced a decision.
Fictional example
A week with gaps
MondayRestless. Kept getting up from my desk.
TuesdayNo entry
WednesdayNo entry
ThursdayCheerful on the walk to the shop. Called home.
FridayNo entry
SaturdayNo entry
SundayUnsure how to sum this week up. Only these three notes.
- What this captures
- Three recorded moments and four explicit gaps. “No entry” marks an empty space in this fictional journal, not a mood.
- What this cannot tell us
- How the missing days felt or why they went unwritten. These notes do not establish a good week, a bad week, or a steady change.